Allison Katz
The Parts
4 June – 16 July, 2011
PRESS RELEASE:
Johan Berggren Gallery is pleased to announce the solo exhibition of Canadian
artist Allison Katz (b. 1980). The Parts
consists of paintings on canvas, ceramic
plates and a series of posters, reflecting
both the artist’s commitment to painting
and her distance from its prevailing conventions. Taking as their starting point
the oppositions that have categorized
the discourse of painting – illusionism
vs. decoration, expression vs. manner,
abstraction vs. figuration – her work addresses these contradictions by embracing and internalizing them.
The exhibition draws its title from
Keith Ridgway’s 2003 novel The Parts,
a black comedy written in six separate
voices. Like the novel, Katz’s presentation is polyphonic, united by crossing
paths and formal correspondences. Motifs wander from one piece to another as
well as reappear slightly altered. Glazed
plates repeat imagery from the paintings
or vice versa. Each piece has imitated,
distorted or intensified its source in a
process that constantly recalibrates the
distance between the original and the copy.
The Parts alludes not only to a
straightforward refusal of a single conclusion but also points to a number of roles
in a play. Katz views the act of representation as a kind of masquerade. She approaches her subjects as a ventriloquist
makes use of a dummy. Black pears,
silhouettes, roosters, and clocks have all
appeared in her recent exhibitions and
are props in a performance characterized
by improvisation and jeu d’esprit.
Katz’s work catalogs a range of expressive possibilities and a repertoire of effects. Imagery runs from the mundane to
the monumental. Frequently modifying
her material and technique, she renders
surfaces variously matte or glossy, flat or
densely textured. The results shift from
playful to analytical, from coy to impudent. Through such shifts in tenor, Katz
describes the perimeters of contemporary
painting.
Allison Katz obtained her MFA in 2008 from Columbia University in New York, where she is now
based. Recent exhibitions include To the People of
Montreal with Alex Kwartler at Battat Contemporary, Montreal, Canada; paintings for the performance The 144th Collapse of the Double Life Flexing
Surface by Tai Shani at the Tate Britain in London
and Le Tit. at Rachel Uffner Gallery, New York.
Upcoming presentations include the group show
Channeling the New Image at Friedrich Petzel Gallery, New York. |